DISQUS

The Trademark Blog: Law School Fact Pattern: Prince, Radiohead, 'Creep' and the DMCA

  • Casey McG · 1 year ago
    Sound (and video) recordings typically contain two separate rights; the rights in composition (publication) and performance. Prince owns is the author of the copyright to his performance of the song, though Radiohead (or more likely its publishing company) own the copyright to the song's composition. Radiohead cannot compel Prince to allow unauthorized copies of his performance to be posted on the Web.
  • esqmarty · 1 year ago
    Yes, sound recordings typically contain rights in composition and in
    performance. However the video in question isn't a copy of a sound
    recording, it is a copy of a live performance. If Prince simultaneously
    recorded his performance, the 'bootleg' video is not a copy of that
    recording. Prince does have several remedies: the anti-bootlegging act
    (Section 512 of the URAA - see Patry's discussion in Chap 24 of his
    treatise); rights of publicity; possible breach of contract. The point here
    is that because the anti-bootlegging statute is not deemed to be a
    copyright, it wouldn't support use of the DMCA.

    Wrt Radiohead, Thom Yorke's comments as reported in the media appear to have
    been off the cuff, and not representing any official legal assertion of the
    rights. I don't think he attempted to compel Prince to do anything.

    We should also bear in mind that, without having reviewed YouTube's terms of
    service specifically, these sorts of ToS agreements usually provide the web
    host with broad latitude to remove content for reasons other than copyright,
    and in this situation, would seem to have various theories of infringement
    of third party rights to remove the video.

    As much as we would want to see it.

    Marty
  • mxr · 1 year ago
    Prince's attorneys are out of control, I doubt the little rocker actually authorized them to send a takedown notice. Given Radiohead's fame, and the fact they created the song and made it famous, many music fans are not going to appreciate Prince's legal effort. Doesn't he owe royalty to Radiohead (or it's label) for playing it live? Doesn't he have enough money and fame that he ought not care if he covers someone else's song and it gets posted on YouTube by one of more than 100,000 fans in attendance, paying more than $100 each for tickets? The ironic thing is that he got rave reviews for his performance, particularly of that song, so why does he care if people get to see it after the fact, in a fairly non-commercial setting like YouTube? All that posting did is enhance his image among music fans who aren't particularly Prince fans, until now that he's pulled it. He's a creep. What the hell is he doing at Coachella anyway? He doesn't belong there... Creep...
  • JoelM · 1 year ago
    There's this rendition out there too!
    http://www.youtube.com/watch?v=nev_tSAfX2E
  • ScottW · 1 year ago
    Marty: The Right of Publicity claim might not be effective in that most statutes and actions at common law require the use of a name, voice or likeness "on or in a product or for the purpose of advertising goods or services." Additionally, in most cases, the use of a name, voice or likeness in "Film" is specifically exempt. (See Astaire v. Best Video and California's 3344). That being said, it's a challenging question because since he did not "fix' his performance in the "tangible medium of expression" (i.e.; the video) and if "Film" is considered exempt by both statute and Astaire, I am not sure what claim he would assert in copyright or right of publicity for the use on a non-commercial site.